Joy be thine, as EA has confirmed Joystiq GOTY Mirror's Edge won't be the last we see of Faith. In speaking with Videogamer back at E3, EA's senior VP of EA Games Europe, Patrick Soderlund, stated, "You will see another Mirror's Edge for sure. It's just a matter of when that time is and what we do with it. We have a small team on it and I'm excited about what we do."

Of course, one mustn't jump to conclusions and automatically label this as a sequel. Soderlund could've meant anything based on that comment. EA could be working on a full-fledged sequel (something we desperately need), sure, or could be adapting a port for some other system. Or, the company could be making a spiffy new Flash game for all we know. Only time will tell, but the important thing is that no matter what this project turns out to be, we all have more parkour-based gameplay to look forward to down the line. And that's a very good thing.

[Via VG247]

Savage Land Pictures have revealed a gorgeous photo set inspired by the 2008 Electronic Arts action title, Mirror's Edge. The shoot, which Savage Land Pictures notes took months to plan, includes sixteen images of a model dressed as Faith traversing rooftops and interacting with armor-clad enemies. The set isn't completely realistic however, as "Faith" is shown holding a pistol and the image doesn't completely break... like the game did when she picked up a weapon. Just kidding, kinda.

[Via SlicedLime Twitter]

Fans of the first-person parkour simulator Mirror's Edge are bound to enjoy this video discovered by the BBPS (embedded after the break). In the video, you'll see a very talented man perform all kinds of parkour antics, all shot from a first-person viewpoint. He even managed to find some surprisingly colorful surroundings to make it feel more like the game. It's all very impressive until around 2:05 into the video, at which point we realized it was filmed by a wizard.

To think such a powerful man would waste his time making silly videos.

[Via The BBPS]

EA's perpetual joke -- on you -- comes to an ironic end on April Fools' Day with the release of de-authorization tools for each of its 19 PC games with SecuROM copy protection (full list and download links after the break). If you've been working on that class action lawsuit against EA for bundling SecuROM with The Sims 2: IKEA Home Stuff, you can drop it now -- your flat-pack furniture can finally be moved to a new machine.

In the spirit of generosity, EA's giving you two options for managing your authorizations:

• Option 1: Download and install yet another "tool" in order to scan your computer for EA's SecuROM games and find out how many computer authorizations you have (or don't have) left for each title.
• Option 2: Cut to the chase and download the game-specific de-authorization tool you need.

Nordic Game 2009 is fast approaching and, like you, we're gearing up by listening to loads of ABBA, driving Volvos and wearing nothing but H&M clothing. That's all they do over there, right? Anyway, with the conference comes the obligatory awards show, though this one comes with a uniquely nordic theme. While über nordic games like LasseMajas and Englekræsj show up on the list, EA DICE-developed Mirror's Edge and Funcom-developed Age of Conan: Hyborian Adventures are duking it out for two major awards: Artistic Achievement and Best Nordic Game.

We can't speak to the ... ahem ... games we've never heard of running against Mirror's Edge and Age of Conan, but retro remake Bionic Commando: Rearmed is also competing for the Best Nordic Game award, while Watchmen: The End is Nigh takes on the two for Artistic Achievement. The awards are set to be a veritable smörgåsbord of gaming, if you will. (Those are Swedish, right?)

[Via Edge]

"The world is dark enough, especially at the moment. Overlord, I think, was successful because it made people smile, it made people laugh. That seems to have resonated so much that I say 'Make people smile, don't make people cry.'" It's no secret that we are suckers for the lolz around here, so we're rather inclined to agree with Ms. Pratchett. In the eight minute interview with the Guardian (found after the break), Pratchett also touches on the importance of getting game writers into the development process early enough, calling shoehorned stories in gaming the result of "Weekend at Bernie's" processes, where a plot that doesn't really exist is "made up" to look like an actual plot. Rather than naming culprits, we'll leave the finger pointing to you fine folks -- and we're willing to bet you can name more than a few, no?

In what seems to be a multiple year-spanning sea change on the side of EA, the company is not only reaching out to independent developers like Grasshopper Manufacture and Valve, but also working with them to keep their properties autonomous. Chris Remo of Gamasutra sat down with David DeMartini, General Manager of EA Partners, to discuss the idea behind EAP and, in doing so, revealed some interesting truths about the EA initiative.

"I think that there is very much a renaissance within the EAP based on the leadership of Electronic Arts ... John Riccitiello and Frank Gibeau are very, very pro-independent development," says DeMartini, referring to titles like American McGee's Alice sequel and Suda 51's upcoming game (still untitled), as well as Valve-developed Left 4 Dead. The "renaissance," he believes, isn't spurred by the way in which the EA Partners program has been set up, so much as it's been a focus on "great quality."

While last year's Mirror's Edge and Left 4 Dead might not have sold huge numbers out of the gate, there is no doubt that their critical reception has been overwhelmingly positive. To add credence to his argument, sales of both titles have held steady as time goes on."What we've proven is that there is no one model. What we have also proven is quality and innovation always win." Not a terrible truth to arrive at, if we must say so ourselves.

There are also links to interviews (including one of ours) for those who want to get a little more insight into the person behind the words. From the look of things, the site won't be updated for a while as Rhianna's being kept fairly busy with Overlord 2 and the Wii and DS Overlord games. Now that she's set up home on the internet, we wonder if she'll be joining us on Twitter soon, too.

Little known fact: Swedes love a good pat on the back. It's true, all of us like to be congratulated on a job well done, but for them it's in a league of its own. This year, they've heaped the honor for the best Swedish-made game at the annual Dataspelsgalan award show onto DICE's parkour-inspired first-person scoot-er, Mirror's Edge. When asked why it was so special, top Swedes commented to Joystiq that the "graphics on level three were really tight," among other things. One thing is certain: Mirror's Edge was definitely one of the better games from last year.

Previous Swedish GOTY winners:

• 2000 Fem myror är fler än fyra elefanter
• 2001 Ground Control
• 2002 Headhunter
• 2003 Battlefield 1942
• 2004 -
• 2005 Riddick: Escape from Butcher Bay
• 2006 Battlefield 2
• 2007 GTR 2: FIA GT Racing Game
• 2008 World in Conflict

EA's European Senior VP Patrick Söderlund has expressed optimism about the long-term success of new IPs Dead Space and Mirror's Edge in a conversation with Gamasutra. "If you analyze games like Dead Space and Mirror's Edge for their lifetime performance, I bet you'll find them to be seen as successful," said Söderlund, communicating a commitment to both franchises.

Söderlund went on to echo Glen Schofield's remarks regarding the not-too-brilliant plan of releasing both titles during the extremely competitive holiday season, admitting that EA could have "done a better job" scheduling its release calendar. Still, EA seems determined to forge ahead with both franchises in tow. We have a hunch gamers will support that decision -- so long as Dead Space doesn't turn into this and Mirror's Edge into that.

[Via guardian.co.uk]

Lars Gustavsson is no stranger to risk. After last year's first-person parkour-based action/platformer Mirror's Edge stumbled off shelves during the holiday season, you'd think DICE's creative director might be dissuaded from continuing to push the envelope. However, speaking at the Design Innovate Communicate Entertertain Summit (conveniently shortened to D.I.C.E.) last week, he told the crowd "the games industry has come to a crossroads."

According to him, the situation is multi-faceted -- the poor economy is forcing lower overhead costs on developers and people are less willing to spend their money while consumers are also less likely to invest in new intellectual properties (such as the aforementioned Mirror's Edge). Should developers play it safe with proven IPs or take risks in hopes of breaking in?

He pontificates that "more customization offerings, new business models, data-driven development and the active tuning of the games" will drive innovation and allay risk going forward. "It's totally different from anything we've done," Gustavsson noted when referencing upcoming online-only multiplayer shooter Battlefield 1943. And he seems to be putting the development costs where his mouth is, as Battlefield 1943 sticks to his plan (on paper at least) to a tee. It remains to be seen whether they'll work out. After all, we're still waiting on that other Battlefield game.

Anecdotal evidence suggests that neither Mirror's Edge nor Mercenaries 2 took off in Japan. This picture shows stacks of new copies of both games on sale for ¥1,980 ($21). Mirror's Edge was released on December 11 in Japan, and Mercenaries 2 followed one week later. Both the Xbox 360 and PlayStation 3 versions are marked down, so the blame for poor sales doesn't fall solely on 360's lowly reputation in Japan.

Japan has no rental services, so people tend to buy games, complete them immediately, and then sell them back to stores asap, before the prices are slashed, leading to a precipitous drop in used prices of popular games. Even that isn't the case here -- these games are new, and retailer Sofmap's website shows used copies of Mirror's Edge at ¥4,780 for PS3 and 360, while new copies are marked down to a mere ¥1,980.

Would Mirror's Edge have benefited from a lead character redesigned for Asian audiences? Maybe, if that redesign had also encompassed not making the game a first-person shooter.

In a cute homage to the new Mirror's Edge DLC that's now available, we were going to tell you that we had leaped between two buildings, scaled a fire escape and finally shimmied across a pipe to get from our 360 to our keyboard to bring you this news ... but we don't want to insult your intelligence. Look at us, after all. The only thing we've leaped between recently is our table at Max & Erma's and the sundae bar.

If you want to pretend you're virtually fit, you can drop your $10 on the XBLM and get nine races spanning seven brand new maps. PC and PS3 users keep an eye out for the DLC to pop up later today.

Lara and Faith have a lot in common. Both are strong, female protagonists, and both find themselves relying heavily on their ability to effectively navigate the environment around them. Now, they have another thing in common: they've both been the subject of weird mods. Check out the video past the break, which shows what Lara's world would look like had it taken inspiration from Mirror's Edge.

[Thanks, M]

While Rock Band and FIFA 09 stole the headline (and let's not overlook Need for Speed Undercover selling 5.2 million copies), EA's new IPs were also battling an unpredictable market this past holiday. Unfortunately, both Dead Space and Mirror's Edge lost -- or, got lost in the traditionally crowded end-of-year release splurge. Neither game made EA's "highlight" reel, and both were tucked away in a carefully disguised statement of defeat: "Dead Space, Mirror's Edge, Madden NFL 09 and NBA Live 09 each sold over one million copies." Consider that Dead Space and Mirror's Edge's development costs surely far exceeded those of EA's perennial sports installments (not to mention, EA's trio of top sellers mentioned above) and it's easy to qualify the new IPs as underperformers.

Going by the sales figures, at 1.8 million units sold, Left 4 Dead isn't exactly a standout either -- but it does go down in EA's "win" column. As an EA Partners game, Left 4 Dead didn't cost EA development bucks; and while that means a lesser share of gross revenue, the game's decent sales performance has likely equaled greater profit for EA compared to the results of its new, in-house IP.

Where does EA go from here? Well, a "new" Dead Space game can signal one of two things: (a) EA is confidently moving forward with its plan to build compelling, new franchises; or (b) EA is morphing its compelling, new franchises into redundant, tired formulas. If the latter, don't blame EA. Our money does the dictating. EA just follows along.

Source - EA Q3 2009 Earnings Conference Call Script [PDF]